Chamber music
Lean productions with three cameras, precise sound recording and musically guided editing. Suitable for ensembles, recitals, competitions, applications, YouTube and websites.

Have live concerts filmed professionally — with high-quality sound, several perspectives and musically guided editing.
A good concert recording should not disturb the performance. At the same time, a strong concert film needs more than one static camera. I therefore work with a lean multi-camera setup, remote cameras and carefully chosen fixed positions in the hall.
The more musically meaningful angles we can use, the more precise the later edit can become. The production remains much smaller and more discreet than a traditional TV crew: depending on the project, I work alone or with one assistant, with carefully set cameras and as little movement as possible during the concert.
In classical concert recording, the point is not merely to document an event. What matters is where the viewer’s attention is guided: to solo entrances, musical dialogues, ensemble reactions, colours of sound and moments of tension.
For me, concert film is a form of guided listening. The edit should not explain or impose itself on the music, but support perception. The result is a video that is musically coherent and works as a publication in its own right.
Lean productions with three cameras, precise sound recording and musically guided editing. Suitable for ensembles, recitals, competitions, applications, YouTube and websites.
Larger productions with several cameras and additional crew when ensemble size, venue or staged elements require more complex visual direction.
A production can result in complete concert films, individual works, short excerpts, reels or application versions. This turns a concert into usable material for websites, YouTube, social media, concert presenters, agencies and artistic public relations.
Send me location, date, ensemble and desired length. I can then realistically assess which production scope makes sense.